II he is not who more here said Pero you are joins soledad that necesita to be defended, that you are lo mismo that to necesitar of justificacin. El writer defiende su soledad, showing lo that en ella y only en ella, encuentra.' ' (Zambrano Maria) In this bias, the exile of a intent, patient reading, and that he explores to the maximum the elements of the poem, data and not-giving, will be able to find a new way to read the poem of Gonalves Days and to see itself sailing in a sea another one of mental image (percepto mental) that it also produces presence and thus reaffirms the sea as strong image in the Brazilian romantismo. The perspective change becomes possible rank that the reader is assumidamente a reader of today that of ownership of new elements to have new experience of reading with the poem its front, will be able to find another possibility of reading, but that in reality always it was present in the poem, we only change the turn of the look. What it wants and what can ' ' mar' ' , if it is so ' ' bonito' ' how he aggravates with its voice connected (Gumbrecht, 1998) to the song letter the sea of Dorival Caymmi? We take this song ours to see a legendary song for the Brazilian popular cancioneiro and mainly for the composition of voice and song of the proper author, because all this accumulation of information and at the same time crossing that generates the possible singularity for the song, even so let us have notice on other writings not less pleasant to ears important, of the point of view of interpretation of the workmanship. The sea that is banal the principle in the refro of simple structure: The sea, when breaks in praia/ pretty, is bonito.evocao of the natural movement of the sea for the perspective of the observer? contemplador that finds in that singeleza the beauty, deserving of being sung and repeated.